The Documentary Legend reflecting on His Latest War of Independence Documentary: ‘We Won’t Work on a More Important Film’
The veteran filmmaker is now considered beyond being a documentarian; he is a brand, a one-man industrial complex. With each new documentary series heading for the PBS network, everyone seeks a part of him.
Burns has done “more fucking podcasts than I ever thought possible”, he says, approaching the conclusion of his extensive publicity circuit that included 40 cities, dozens of preview events and innumerable conversations. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”
Fortunately Burns possesses boundless energy, as loquacious behind the mic as he is productive during post-production. The veteran director has appeared at locations ranging from Monticello to The Joe Rogan Experience to talk about one of his most ambitious projects: this historical epic, a comprehensive multi-part historical examination that dominated ten years of his career and arrived currently on public television.
Classic Documentary Style
Like slow cooking in today’s rapid-consumption era, The American Revolution intentionally classic, reminiscent of The World at War as opposed to modern digital documentaries and podcast series.
For the documentarian, whose entire filmography exploring national heritage including baseball, country music, jazz and national parks, the nation’s founding transcends ordinary historical coverage but essential. “I said this to my co-director Sarah Botstein the other day, and she agreed: we won’t work on a more important film Burns contemplates from his New York base.
Comprehensive Scholarly Work
Burns, co-directors Botstein and David Schmidt plus scripting partner Geoffrey Ward utilized numerous historical volumes plus archival documents. Dozens of historians, representing diverse viewpoints, contributed scholarly insights in conjunction with distinguished researchers representing multiple disciplines including slavery, indigenous peoples’ narratives and imperial studies.
Characteristic Narrative Method
The film’s approach will seem recognizable to viewers of Burns’ earlier work. The characteristic technique incorporated gradual camera movements through archival photographs, generous use of period music featuring talent reading diaries, letters and speeches.
That was the moment Burns built his legacy; years later, currently the elder statesman of documentary filmmaking, he can apparently summon any actor he chooses. Participating with Burns at a New York gathering, acclaimed writer Lin-Manuel Miranda commented: “When Ken Burns calls, you say ‘Yes.’”
All-Star Cast
The lengthy creation process also helped concerning availability. Filming occurred in studios, at historical sites and remotely via Zoom, a tool embraced amid COVID restrictions. Burns recounts collaborating with actor Josh Brolin, who scheduled a brief window while in Georgia to record his lines portraying the founding father then continuing to his next engagement.
Additional performers feature Kenneth Branagh, Hugh Dancy, Claire Danes, Jeff Daniels, Morgan Freeman, Paul Giamatti, emerging and established stars, household names and rising talent, accomplished dramatic artists, British and American talent, versatile character actors, Wendell Pierce, Matthew Rhys, Liev Schreiber, plus additional notable names.
Burns adds: “Honestly, this could represent the finest ensemble gathered for any production. Their work is exceptional. Selection wasn’t based on fame. It irritated me when questioned, about the prominent cast. I responded, ‘These are performers.’ They are among the world’s best performers and they vitalize these narratives.”
Multifaceted Story
Nevertheless, the absence of living witnesses, modern media forced Burns and his team to rely extensively on primary texts, combining personal accounts of multiple revolutionary participants. This methodology permitted to introduce audiences beyond the prominent leaders of the revolution plus numerous additional crucial to understanding, several participants remain visually unknown.
Burns also indulged his personal passion for territorial understanding. “I love maps,” he notes, “with greater cartographic content in this film than in all the other films across my complete filmography.”
Global Significance
The production crew recorded at nearly a hundred historical locations throughout the continent and in London to preserve geographical atmosphere and collaborated substantially with re-enactors. These components unite to present a narrative more violent, complex and globally significant compared to standard education.
The documentary argues, was no mere parochial quarrel over land, taxation and representation. Instead the film portrays a blood-soaked struggle that ultimately drew in more than two dozen nations and unexpectedly manifested what it calls “the noble aspirations of humankind”.
Civil War Reality
Early dissatisfaction and objections directed toward Britain by colonial residents across thirteen rebellious territories rapidly became a brutal civil conflict, setting brother against brother and turning communities into battlegrounds. In one segment, scholar Alan Taylor notes: “The primary misunderstanding about the American Revolution centers on assuming it constituted a unifying experience for colonists. It leaves out the reality that colonists battled fellow colonists.”
Nuanced Understanding
For him, the revolution is a story that “for most of us is drowning in sentimentality and idealization and is incredibly superficial and doesn’t have the respect the historical reality, every individual involved and the extensive brutality.
It was, he contends, an uprising that declared the world-changing idea of the unalienable rights of people; a vicious internal conflict, separating rebels and supporters; and a global war, another installment in a sequence of conflicts between Britain, France and Spain for control of the continent.
Contingent Historical Events
Burns additionally aimed {to rediscover the